Rustom works in a small government office in the countryside. Life for Rustom is wandering from place to place in the small town, spending time with Kapil who works on the suburban trains, living with the eccentricities of his boss, and being magically transported into his imaginary other world in the far reaches of this beautiful and lonely countryside which maybe undergoing a quiet upheaval that may disturb it's dark and mysterious worlds forever.

Bollywood version of The Champ. Dara Singh stars as a washed up wrestling champ with a drinking and gambling problem trying to raise his son Sunny. Complications arise when Sunny discovers that his mother is still alive, after having been led to believe that she had died many years ago.

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Powerful and mighty Rustom Zabuli (Prithviraj Kapoor) of Iran while on a visit to India,rescues a horse-drawn carriage of Shehzadi Tehmina (Suraiya). Impressed by his strength, the Shehzadi offers to employ him, but Rustom refuses. The Shehzadi has his horse abducted and brought to her palace, Rustom follows. Once there, the Shehzadi confesses her love for Rustom, and Rustom too falls in love with her. They are married with great pomp. Due to war in Iran, Rustom must return to defend his king. The Shehzadi's enemies plot to overthrow her father and her, but Shehzadi manages to escape. She gives birth to a son. She must never reveal her husband's true identity to her son or else he will be killed. So Rustom's son, Sohrab (Premnath) grows up without any knowledge of his mighty and famous father. The Shehzadi's enemies now aware of Sohrab, who has acquired his father's strength and might, plot to make both father and son fight, a fight from which only one man can emerge alive and ...

http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Leningrade. Galina works as a restorer at Catherine Palace; she is a sculptor as well and takes her profession very seriously and enthusiastically. Vera, a friend from art school, sees her loneliness and introduces her to her husband's colleagues - friendly Mitya and mysterious Andrey. Soon Galina finds herself torn between the two men.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

In Portugal, in the 60s, the corpse of a man appears on Dog's Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection.

Instead of fighting over newly gained money from a coach-robbery, two gangster-brothers (El Bedoja and Chiuchi) decide to rob a bank together. But Martinez, a gangster-coward, is successfully questioned by Nigros (a clad-in-black gangster-killer who collects the money) and Rocco (a righteous ex-sheriff who doesn't and shows off even more skill in using his pistol) on their plans.